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RICKARD BORGSTRÖM

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Published in
Report Hangö Teaterträff 2019

Bio

Rickard Borgström, Sibbo, Finland. He works at the fluid intersection of contemporary art, dance, and theatre. He deploys a de-central perspective to conceive exhibition and program formats, within diverse backgrounds and geographies, in a collaborative and trans-disciplinary modes, to provide a historical anchoring and engagement with local conditions.
Borgström has worked mainly in the Nordic region where his work has been presented at institutions such as Teaterhuset Avant Garden (Rosendal Teater), Bastard Internationella Teaterfestival, Stamsund Teaterfestival, Norsk Kulturråd, Lofoten Internationella Konstfestival, Inkonst, Art Space Sinne, Jyväskylä Art Museum, Korjaamo, Nunatta Isiginnaartitsisarfia – The National Theatre of Greenland. At times he lectures in contemporary dramaturgies in dance and theatre at Uniarts Dance department Stockholm. Borgström writes for Norsk Shakespearetidskrift, Ny tid och Koreografisk Journal.
Currently he works with the platform DACE – Dance Art Critical Ecology together with Rebecca Chentinell. Their first exhibition/program “Symbiotic – Erotics” took place at Färgfabriken, Stockholm fall 2021, followed by “Bergspråk” at Havremagasinet Boden/Suttes May 2022, and “Hämärän maa - Nattens Ekologi” december 2022 at Rovaniemi Art Museum. DACE produced Zheng Bos new dance/film “Le Sacre du printemps (tandvärsktallen)” that premiered at the main exhibition of Venice Biennale 2022. He was a member of the committee of Dance at the Swedish Art Council 2018-2021. Borgström is educated at Dramatiska Institutet and Stockholms Universitet.

Support

Arts Promotion Centre Finland, Konstsamfundet,  Arts Council Norway, Sør-Trøndelag County Council, City of Trondheim, Swedish Arts Grants Committee-International Dance Programme, HIAP- Helsinki International Artists- In- Residence Program, Hong Kong Arts Development, FRAME- Finnish Fund for Art Exchange, City of Helsinki, Nordic Culture Point Mobility & Production,  Nordic Culture Fund, Kulturbryggan, IASPIS, Naalakkersuisut, Canadian Council of the arts, Svenska Kulturfonden, Sibbo Kommun, Suomen Kulttuurirahasto.

Projects

  • 2/11/, 10/11, 24/11, 26/11- An exhibition in four acts, 2012
  • BASTARD, 2010
  • EXPANDING MATTER- Workshop Series, 2011
  • INSTITUTIONAL MELANCHOLY, 2012
  • KALAALLIT NUNAAT- UNSETTLED LANDSCAPE, Landscapes as means of production, 2018- 2022
  • KEHÄ / KRETS 2019- 2024
  • Lofoten International Art Festival- Towards a future present , 2008
  • Moving alone togehter
  • MURMUR / CHINESE WHISPERS / MATERIAL WORLD, 2013- 2015
  • PERFORM- Seminar #1, 2010
  • PERFORM- Workshop Platform #1, 2010
  • STAMSUND TEATERFESTIVAL- das Theatre ist Steinzeit
  • THE END OF THE KNOWERS, 2010
  • WE TRY TO PLAN IT SO PERFECTLY, 2011

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