POST- DANCE- ING 23-25.10 at MDTsthlm

Screenshot 2019-10-31 at 19.06.45POST – DANCE – ING Conference

Recently I participated in the conference  POST – DANCE – ING at MDTsthlm, in a panel- discussion with Agnes Quackels responding on Halla Ólafsdóttir´s & Alice Chauchat´s call/response performance- lectures.

It was a moving gathering, that took many turns…out of necessity, sensing, and un/learning….I pay my respect to the women who with the labor of courage and care, hosted complex pressing issues, gave them space, here and now… I am grateful!

The documentation will be online for 30 days. Handle it with care.

MDT, Cullberg, Danscentrum and DOCH would like to welcome you to be a part of our new conference POST-DANCE-ING. We long for a conference with an unconventional format that emphasizes conversation, as well as supports the potentially different languages available to this conversing. A conference with five in-depth conversations that spiral deliberately, intuitively and decidedly into other spaces and configurations, possibly into other forms. So we invited five thinkers to each propose a starting point. And five invited “Conversation Partners” then formulate and prepare a response to these “Starters”. This in-depth conversation is then taken further by a discussion group that is requested to react and discuss on the spot. This conversation then continues for those attendees who wants to, in a circle in another room. Followed by a final step in a room with no protocol, no choreography, simply an open space where the conversation takes its necessary form. If you want to, you follow the same conversation through all these steps. Or you can choose to stay in the first room where the same procedure with Starter, Conversation Partner and discussion group starts over with a new topic and new participants. This plunging into the Alice hole repeats five times and overlaps. Just like in the real world. Post-dance with a twist.

Participants: Rebecca Vinthagen, Reggie Wilson, Jeanine Durning, Eva Mohn, Josefine Wikström, Erdem Gündüz, Konstantina Georgelou, Karina Sarkissova, Eva Meyer-Keller, Mette Edvardsen, Malik Nashad Sharpe, Tamara Alegre, Ilse Ghekiere, Julia Giertz, Halla Ólafsdóttir, Alice Chauchat, Agnes Quackels, Rickard Borgström, André Lepecki & Eleanor Bauer.

The Helsinki Performing Arts Scene 2019


Something is missing in Helsinki. One perspective on the Helsinki Performing Arts Scene, in conjunction with guest performances by Gisèle Vienne and Klockriketeatern at Almi Hall- Finnish National Opera September 2019. My first article for Ny Tid, a distinguished historical important magazine founded in 1944, that I am happy to write for this fall. The material is in Swedish and will be able at NY TID and you find as PDF- file here ny tid artikel 1 oktober 2019

Thank you, Janne Wass, for the confidence in my proposals. Thank you, Lisa Gemmel and Rebecca Chentinell.




Report Hangö Teaterträff 2019

Susie Wang_Mumiebrun Foto_Alette Schei Rørvik

The article “Förnyelse eller retrospektion?” is in distribution, please support the magazine by ordering it from  shakspearetidsskrift. Meanwhile, you can read it here  Article I PDF

Hangö Teaterträff 2019: Förnyelse eller retrospektion? (Hangö) När teaterträffen är i omvälvning, som samhället i stort, tyr man sig till det välbekanta för att finna stadga. Ligger teaterträffens förnyelse i en tillbakablickande hållning?


A report on Hangö Teaterträff 2019

HTTF19_Niklas_Ekman_Niko_Hallikainen_MG_8875 (1)
Low Income Glow, Niko Hallikainen. Photo: Niklas Ekman

The forthcoming Norsk Shakspeare Tidskrift covers the early summer theatre festivals, with reports and reviews. My report looks closer on the renewal of Hangö Teaterträff in Finland. I cover the festival at large and works by Niko Hallakinen, Ásrún Magnúsdóttir, OBLIVIA, Juha Valkeapää, Rasmus Slätis, Blaue Frau, ÖFA- Kollektivet, Susie Wang among others.

Thanks: FINNO- Finsk- Norsk Culture- Institut for travel- support.

Hur skapas ett dynamiskt teaterfält?

“Svenska kulturfondens omfattande satsning på teaterkonst på svenska i Finland är lovvärd. En betydande utgångspunkt för satsningen är att stimulera produktionen av välgjorda texter. Men vem som har slagit fast att utvecklingen mot högklassig teater går genom välgjorda texter förblir oklart, menar Rickard Borgström.”

Screenshot 2019-06-23 at 16.18.51.png

An article for Ny Tid that I wrote in 2016 about the theatre field in Finland, that comes to mind, as I write a report on Hangö Teaterträff 2019 for the theatre magazine Norsk Shakspeare Tidskrift.